under pressure

In theory I have lots of time on my hands. I only work 8 hours a day (unlike my previous jobs, it’s a bit tough to bring winery work home). This should mean I have loads of time to write my thesis, enjoy my summer, relax. So of course, I promptly joined a barbershop chorus. This is a style of music I’ve never worked with before…isn’t barbershop just for men? (you ask) Actually, no – it’s a style of a capella harmonization with four voices, which can be sung by male, female or mixed groups.

Easy mistake to make.

Though I’ve sung in choirs for years, this is really different, and very challenging. I’m singing the part of the baritone (though an octave higher than the male baritone voice), and its function is to fill out the chord (the famous barbershop seventh) that the other three voices – tenor, lead and bass; regardless of whether males or females – are singing.

There is NO vibrato. This element will be tough to eliminate after years of classical training, which I’m starting again with a great teacher in Niagara. The vibrato comes so naturally, even my Iron Maiden covers 5 years ago featured it. (We were probably the only Maiden tribute band with much of that… Metal opera: Viking helmets meet headbanging! …..Also, very dangerous…perhaps protective eyewear would also be in order.) And there are far more sequins in barbershop performance than I’m used to – though my short time in Niagara means I’m unlikely to besparkle myself just yet.

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